Posts Tagged romance
This interview and a spicy excerpt from an early chapter appear at Fang-Tastic Books; a well-known book review site.
Can you tell readers a little bit about yourself and what inspired you to write in this particular genre?
I believe it started with my struggle with the forces of darkness and light within myself. A year after writing Scarlet Ambrosia, I see the story through a different pair of eyes. At the core of the novel is a young man’s struggle with the forces of good and evil within himself and the world around him. The vampire archetype, I now realize, is a metaphor for my heart’s dream to realize its divine nature. The supernatural powers and ramped-up energy level Devon acquires as a vampire make him half-human and half-god, something like the mythological Greek gods. He can choose to use his new powers for good or evil purposes.
I believe everyone has the potential to become a divinely human being. I’ve been a ‘spiritual seeker’ for most of my adult life. Awakening isn’t easy, but I’ve found it’s worth the effort. What happens for Devon is happening for me in a much subtler way without the super-human powers, but happily, minus the need to drink human blood.
What is it about the paranormal, in particular vampires, that fascinates you so much?
I’m fascinated by the supernatural powers of my vampire characters. They are very powerful beings with the capacity to dramatically impact the world around them positively or negatively.
Please tell us about your most recent release.
My latest release is Scarlet Ambrosia. I’m working on a sequel because I love the characters. Scarlet Ambrosia is the second novel I’ve published. The first one is a humorous Science Fantasy thriller titled “Three Days to Darkness.”
Do you have a special formula for creating characters’ names? Do you try to match a name with a certain meaning to attributes of the character or do you search for names popular in certain time periods or regions?
In most cases, I try to make a character’s name show something about the character’s personality and traits. I try not to make it too obvious. At other times, a character’s name just comes to me and I trust that the name is the right one. It’s interesting that the name often corresponds to a character’s traits by coincidence.
Was one of your characters more challenging to write than another?
The antagonist of the story, Egon Schiller, was the hardest for me to write. This is often the case in the stories I write. There is always a tendency to make the villain two-dimensional rather than a three-dimensional person with some good traits and intentions. I feel that the most believable villains are people who have, for one reason or another, given in to their dark side. A good example of this is Darth Vader.
Is there a character that you enjoyed writing more than any of the others?
Of all the characters in the story, I most enjoyed writing the female love interest, Mathilde de Roche. Her strength, heroism, and magnetism came naturally as I created her and as I wrote her throughout the story. That came as a surprise. I am, after all, a guy. Like most men, I find women unfathomable in the real world.
Do you have a formula for developing characters? Like do you create a character sketch or list of attributes before you start writing or do you just let the character develop as you write?
I participated in several online screen writing and novel-writing courses offered through the writers program at UCLA. Professional writers taught these courses. The teachers stressed that the most successful stories have memorable characters in them. I learned to create my characters before writing the story using a detailed character template. I’ve found that knowing what makes my characters “tick” helps make them more interesting and believable.
What is the most interesting thing you have physically done for book related research purposes?
I spent a week in Sedona, Arizona exploring the town’s art galleries, architecture and the energy vortexes.
When did you consider yourself a writer?
When I stumbled into my career in marketing communications, I found writing was the most enjoyable part of the job.
Where can readers find you on the web?
Would you like to leave readers with a little teaser or excerpt from the book?
Here’s a spicy excerpt from Chapter Two:
This woman was beyond beautiful. She was exquisite—no signs of breast implants or a nose job and no tattoos or piercings marred the natural beauty of her face and body. Her creamy skin felt like the finest silk to Devon’s probing hands. He unclasped her bra. His loins tingled at the sight of her full breasts. He caressed her erect nipples. She moaned.
The foreplay had started slowly with exploratory kisses and caresses. Now he could barely wait to enter her. Devon removed the last fragments of clothing from their bodies. The smell of her perfume, the feel of her body, and the sensation of her soft hands on his buttocks almost made him explode prematurely.
Being inside this woman was like nothing he had experienced before. Devon lost all sense of physical boundaries. The sensual pleasure of joining with Mathilde seemed to fill every cell in his body. He was only vaguely aware of moving inside her. Their rising passion consumed him. She kept repeating something in French. His back arched. He climaxed. The pleasure was too intense for his senses to bear. He lost consciousness.
He woke up next to her on the bed. She stroked his hair with one hand, propping up her head on one elbow.
Feeling embarrassed, Devon shook his head, unable to comprehend the reason for his lapse of consciousness.
“I’m sorry if I scared you. It’s the first time I’ve ever passed out during sex.”
“You didn’t scare me, ma chère. It only confirms what I was afraid of.”
“If we go on having sex, it will kill you.”
He laughed nervously. Had the sex been good enough to cause a blackout?
“I can think of worse ways to die,” he said, covering up for his discomfort.
She kept looking at him studiously.
“You kept whispering something to me in French. It sounded like: ‘Vous êtez celui que j’ai choisi.’ I think that means: ‘You are the one I chose’”
A whisper of red colored her cheeks.
“Your French is better than you admit.”
“I don’t understand. We’ve just met, Mathilde.”
“Don’t worry. It’s just a game I play with myself. You remind me of someone I once knew: a handsome, high-minded young man with a sensitive heart.”
“I’m flattered, but it sounds a little more like a fixation than an innocent game to me.”
“Please don’t play the amateur psychologist.”
She pushed him off the bed with a movement almost too fast to see. One second he lay facing her. The next thing he knew, he lay on his back on the floor. Her sudden display of uncanny strength and speed frightened him. Clambering to a sitting position, he began to collect his clothes from the bed.
“I’m sorry,” she said. “I wasn’t thinking. I didn’t mean to alarm you. Are you injured?”
“I’m still in one piece.”
“I actually do study martial arts, in answer to your earlier question. Sometimes I forget my own strength. Let me help you with your things. Are you sure I haven’t hurt you?”
He had the impression she was lying.
“I’m fine. I just think it might be better to leave now. Who knows what could happen if you toss and turn in your sleep?”
“I apologize for leading you on,” Mathilde said. “I only intended to meet you in the bar and talk with you. I thought of it as a minor indulgence, to take my mind off things for a while. I let my curiosity about you cloud my judgment. Then, meeting you face to face, you had much more of an effect on me than I anticipated. I lost control of myself.”
“Is that something that happens often?”
“No,” she answered curtly. “I’m not that shallow.”
Devon’s thoughts and emotions spun like pinwheels. Part of him wanted to bolt out the door and finish dressing in the hallway. Another part, the accountant, needed explanations; wanted to analyze and quantify Mathilde de Roche. In the end, his own curiosity coupled with her charisma kept him rooted by the bedside.
“I’ve studied martial arts myself. I’ve never seen anyone move as quickly as you just did.”
She continued to regard him with a serious expression for a full minute before responding.
“You should leave now, Devon. I won’t be offended.”
Here’s an interview that will appear on my new blog tour later this week. I figured you guys couldn’t wait so I’m posting it here. Sales of Scarlet Ambrosia are so strong that we are actually running out of digital copies. If you’ve been thinking about buying the book, I’d do it now. You don’t want to get trampled in the Christmas rush. If you’d like a paperback copy, let me know and I’ll put you on the waiting list for the second printing. (We never did a first printing.)
Good question. Sometimes I wonder. I was born in North Carolina, grew up in New Jersey, and I’ve lived in Florida for most of my adult life.
Tell us your latest news?
I just finished an outline for a science fiction novel that I feel fits together well and is believable if I can execute it properly. It’s a great feeling to finish a rough draft and have it come out better than expected. The bad news is I’ll have to do an ungodly amount of research.
When and why did you begin writing?
I started writing short stories in high school. I thought I was a genius destined to have a world-wide audience. That hasn’t worked out exactly the way I expected.
When did you first consider yourself a writer?
It happened about five years into my career when I started to work in marketing. I noticed that writing was the only thing I liked about working. I quit my day job about ten years ago and I still like to write, but not when it becomes a job. I admire people who like to work.
What inspired you to write your first book?
I always dreamed of becoming a successful creative writer. Going from short stories and copy writing to long fiction (novels) seemed like trying to jump the Grand Canyon on Schwinn racing bike. Some daredevils can do it but I’ve never been one. So I took an intermediate step and wrote a screenplay with two characters in mind that I thought would be fun to play with. It was fun. I wrote two more screenplays before summoning the guts to write a novel. I turned the original screenplay into my first novel, “Three Days to Darkness.”
Do you have a specific writing style?
I try not to write with a style. I just write the way I write and hope that someone else will find it interesting and entertaining.
How did you come up with the title?
It just came to me and it really works (I think).
Is there a message in your novel that you want readers to grasp?
A year after writing Scarlet Ambrosia, I see the story through a different pair of eyes. At the core of the novel is a young man’s struggle with the forces of good and evil within himself and the world around him. The vampire archetype, I now realize, is a metaphor for my heart’s dream to realize its divine nature. The supernatural powers and ramped up energy level Devon acquires as a vampire make him half-human and half-god, something like the mythological Greek gods. He can choose to use his new powers for good or evil purposes.
I believe everyone has the potential to become a divinely human being. I’ve been a spiritual seeker for most of my adult life. Awakening isn’t easy, but I’ve found it’s worth the effort. What happens for Devon is happening for me in a much subtler way without the super-human powers, but happily, minus the need to drink human blood.
How much of the book is realistic?
I think we have to be careful with the word “realistic” when we’re talking about a novel with paranormal romance thriller tendencies. I always try to create fictional worlds that work logically if the reader accepts the genre conventions. I build my characters with relatable motives, desires, and character traits. Then the story has to evolve believably and the characters have to behave consistently with their basic traits as they grow and eventually make decisions and act in ways that surprise us, but at the same time, we can see where those actions and decisions came from. I hope this is not too much information.
What books have most influenced your life most?
Siddhartha, by Herman Hesse, had a powerful effect on me when I first read it in my late teens. I’ve recently read a series of book on spiritual awakening by Saniel Bonder that have inspired me to open up to a higher purpose.
If you had to choose, which writer would you consider a mentor?
I’d say Douglas Adams (The Hitchhiker’s Guide to the Galaxy) although I don’t write in his style. His remarkable imagination and sense of humor inspire me.
What book are you reading now?
I’ve just discovered a fine new thriller writer by the name of Jeff Abbott. His books are hard to put down and very good for the long plane rides.
Are there any new authors that have grasped your interest?
I’m going to read a new novel by Andy Weir titled “The Martian.”
What are your current projects?
I’m working on an outline for a sequel to Scarlet Ambrosia and I’m exploring a new idea for a science fiction novel as I mentioned above.
What would you like my readers to know?
The book trailer for Scarlet Ambrosia is fun and interesting.
What is a blog tour? I’m not entirely sure, really, but I’m learning. To the best of my knowledge, a blog tour is made up of several “stops” at book review sites, all arranged by an online publicity service. Why am I writing about blog tours? I’m deeply fascinated by them and, purely by coincidence, my first Scarlet Ambrosia blog tour starts today.
A blog tour “stop” is actually a website created by someone who loves to read and review self-published and traditionally (legacy) published books. Often, these independent book reviewers are authors themselves. They promote their own books as well as other books of interest to them. Typically, these independent book reviewers (IBRs) do not get paid to review books. They do it because it’s their passion.
From what I gather, there are three ways to promote your book on an IBR site: (1) a live or written interview (2) a book review or (3) a book spotlight. I don’t know what a book spotlight is but I’ll find out soon because there’s a “spotlight” stop on my tour. Blog tours can last for a few days or a few weeks with optional bells and whistles added depending upon the amount of cash the “emerging” author is willing to pony up.
According to my service provider (Sage’s Blog Tours) “Virtual blog tours allow authors to professionally promote their work without leaving the comforts of their home. Each tour stop enables authors to gain new readers and social media fans, while reaching a worldwide audience.”
As a great Jewish sage once said, “It should only happen.”
I want to thank my good buddy, Joe Canzano, for introducing me to blog tours and to Sage’s Blog Tours in particular. Joe is a talented writer, musician and marketing guy. I’m sure he’s good at a few other things too. Joe has just published his new novel, Magno Girl. If you like humor, action and romance check it out.
If there is a hall of fame for under-appreciated or misunderstood movies, then “The Family Man” belongs in it.
For the record, I have studied screenwriting at UCLA, have written three screenplays, and watch at least two to three movies a week. I mention this only to point out that my opinion is not entirely uninformed (off the wall—maybe—uninformed—no.)
Despite this informed opinion, “The Family Man,” starring Nicolas Cage and Tea Leoni, met with lukewarm reviews by critics and movie fans when it came out in 2000.
The story opens with a day in the life of Jack Campbell, a thirty-something, wealthy investment banker who captains a boutique investment firm on Wall Street. Jack is intelligent, ambition consumed, bold, self-centered, and charming. Even though his life revolves around the pursuit of money and the pleasures of the flesh, he is hard not to like. His appreciation of classical music and opera displayed in the opening scenes hints at the presence of a soul.
When this movie was made, Nick Cage was still at the height of his acting career. I believe Jack Campbell is one of his more memorable roles. All of the characters in the movie, for that matter, are finely drawn and acted.
After becoming acquainted with Jack Campbell and the world he inhabits, the screenwriters (David Diamond and David Weissman) waste no time in spinning the tale. Jack drops into a fast-food mart after work on Christmas Eve to buy eggnog and stumbles into an armed altercation between a disgruntled customer and the store owner. Jack intervenes to prevent a violent incident by offering to buy a lottery ticket the owner claims is a fake.
In the aftermath, outside of the store, Jack speaks with the disgruntled customer, played by Don Cheadle. Cheadle happens to be an angel on a routine mission designed to teach the Chinese convenience store owner a lesson in racial tolerance. The owner doesn’t learn his lesson, which puts the angel in a foul mood. Unwittingly, Jack contributes to the angel’s frustration with the human condition by making a condescending remark indicative of his superior attitude. The angel decides to teach Jack a lesson by sending him into an alternate reality that “might have been” if he had not deserted his college sweetheart to launch his career as an intern at an investment firm in England. The angel gives Jack a chance to get a “glimpse” into a life based on a completely different set of values than the values he now holds dear.
A big dog slurping Jack’s face wakes him up in bed next to the woman he left cold “in real life.” He is shocked and horrified when two young children pile on top him. The kids are under the ridiculous impression that Jack, a lone wolf of Wall Street, is their father.
In “The Family Man” Jack’s disdain for middle class values slowly turns into respect, caring, and finally a deep concern for the people who surround him. This synopsis really doesn’t do the movie justice. I found almost every scene in the movie poignant. Many of the scenes are multi-layered with subtle observations about human nature and social issues. The dialogue and situations are clever and insightful without a hint of cliché.
The movie moved me to the point of tears in three or four scenes. One example involves Jack’s relationship with the little girl who would have been his daughter in his alternate life. The little girl, Annie, senses Jack is not her “real father.” She concludes Jack is an alien and asks him where the mother ship is so she can get her father back.
In a scene towards the end of the movie, Jack and Annie frolic in the snow on Christmas morning. By now, Jack has formed a bond with the child. Jack falls down and Annie crawls onto his chest. With a precious smile, she says, “I knew you’d come back.”
I lost it right there.
Many critics commented that the movie over-sentimentalized middle class life. I disagree. I feel the movie artfully portrayed the bumps and warts of middle-class existence, as well as the pitfalls and emptiness of Jack’s investment-banker life. Neither of the two Jacks had it all. Regardless, I found the lifestyle issue secondary. The element of the movie that spoke to me the loudest was Jack’s transformation.
“The Family Man” isn’t the only movie I liked that critics and movie fans, in disturbing numbers, deemed “overly sentimental.” Either my sensibilities are inverted, or I’m incredibly sane. Whatever the case, I’m sticking to my guns. I just want to point out that as the world grows more cynical and hardened, it appears good movies are becoming an endangered species. I believe there is a direct connection here. Think about it.
Fictional movies reflect our world while creating their own realities. They are, by definition, abstractions. However, good movies have the power to inspire us to rise above fears and other roadblocks in the way of a better life and a better world. They teach us, often, to listen to our hearts. This isn’t always easy. One has to develop a relationship with one’s heart to hear it.
Feeling, I find, is a first step in cultivating a relationship with the heart. I believe that cultivating a relationship with the heart is essential to leading a full life. There is no one way to do it, but I feel strongly that the human heart needs to be cultivated, just like abs, biceps, WordPress blogs, and Facebook pages.
I liked the “The Family Man” because it made me feel. I practice meditation every day to cultivate a relationship with my heart. You might say the practice helps to “tenderize” my heart center. This movie reminded me that I have one.